Keyboard Tab: "Evidence"

Transcribed by Lord Leto II



Notes:

Dots . represent 16th notes; Asterisks * represent measure breaks

A carat ^ below a note means that it is not played on its own

beat; rather just before the beat after it (The Ds are not on

their own beat, but are rather trilled just before the E, which

is correctly placed on a beat).  A lower case letter indicates

a lower octave.  Octave indications are not consistent between

labeled sections -- but these aren't hard to figure out.  Interlude

hard-strike piano and ahh voice are to be played concurrently, not

sequentially.  Same goes for Chorus.  Same goes for both hard-strike

pianos of interlude 2 as well as interlude 2 ahh voice -- all three

concurrent.  A brace { indicates that two lines touching each other

are to be played concurrently.  All rhythm is exactly correct except

for the trilled DE.  I apologize for the odd notation, but it works,

at least.





Intro, "Ahh voice":

........

........ ........*........ ........*........ ........*........ ........

C....... ........*........ ........*B....... ........*........ ........





Verse, "Ahh voice":

C....... ........*........ ........*B....... ........*........ ........

C....... ........*........ ........*B....... ........*........ ........

C....... ........*........ ........*B....... ........*........ ........

C....... ........*........ ........*B....... ........*........ ........





Interlude, "Hard-strike piano":

......A. ..GEA...*........ ..E.GA..*B.B...A. ..GEGAG.*........ ..E.GA.G

A.....A. ..GEA...*........ ..A.GE..*D.D...D. ..DCDED.*........ ..E.GA.G

A.....A. ..GEA...*........ ..E.GA..*B.B...A. ..GEGAG.*........ ..E.GA.G

A.....A. ..GEA...*........ ..A.GE..*D.D...D. ..DCDED.*........ .......D

                                                                      ^



Interlude, "Ahh voice":

C....... ........*........ ........*B....... ........*........ ........

C....... ........*........ ........*B....... ........*........ ........

C....... ........*........ ........*B....... ........*........ ........

C....... ........*........ ........*B....... ........*........ ........





Chorus, "Hard-strike piano":

E...a.D. ..DCD...*........ ..aDE..D*E...G.D. ..DCDED.*........ ..aDE..D

                              ^   ^                               ^   ^

E...a.D. ..DCD...*........ ..aDE..D*E...G.D. ..DCDED.*........ ........

                              ^   ^



Chorus, "Ahh voice":

a...a... a...a...*a...a... a...a...*a...a... a...a...*a...a... a...ED.C

b....... ....C...*a...a... a...a...*a...a... a...a...*a...a... a...a...





Play lines 1-3 of the Verse during the four measures of guitar

soloing and 2nd verse -- on the third line add a hard strike piano:

........ ........*........ ........*........ ........*........ ..E.GA.G





Play lines 1 & 4 (skip 2 & 3) of the Interlude





Play the Chorus





Play the Verse (during the guitar & bass solo)





Interlude 2, "Hard-strike piano": just 8 measures here -- 6th intervals

{D..D.... ........*A....... ........*DD.D.... ........*A....... ........

{f..f.... ........*C....... ........*ff.f.... ........*C....... ........



{D..D.... ........*A....... ........*........ ........*........ ........

{f..f.... ........*C....... ........*........ ........*........ ........





Interlude 2, "Ahh voice": concurrent with Interlude 2 hard piano

C....... ........*g....... ........*C....... ........*g....... ........

C....... ........*g....... ........*C....... ........*E....... D.......


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